- #Logline for tv shows how to#
- #Logline for tv shows movie#
- #Logline for tv shows series#
How great creators have used loglines in shows like MR. Why your logline is going to change and change again-and why that's the best thing!. #Logline for tv shows how to#
Learn how to make the limitations of a genre work for you, not against you (a logline is like a vanity license plate-the art is fitting in everything inside the 'frame'.Plug your own story into the logline method and get 'unstuck' creatively.
#Logline for tv shows movie#
Learn to exploit the critical difference between TV and movie loglines-and why they don't mix. Peter's teaching is also exciting, inspiring and vivid-you'll love learning in this class. He teaches at both UCLA Entertainment Division and is also a Professor of TV & Film Story at the Seaver College MFA program at Pepperdine University, as well as a teacher at his own online school, Peter will help you understand that the power of a logline to unlock your stale story, to help you turn your 'shower thoughts' movie and TV story ideas into beautiful coherent scripts on the page. ROBOT), Hal Ozsan, (the upcoming CLAN OF THE CAVE BEAR), as well as Brian Grazer and Ivan Orlic's spring 2016 feature release PELE, and many many others. Peter has used the amazing power of loglines to help unlock dozens of storyteller's creative originality-most recently for Kor Adana, (MR. Finally, loglines are a shorthand way to X-ray or cat scan your story to find out what's right with it, what needs to improve, and loglines will even show you how to fix it. And once you've nailed your logline, your whole story can fall into place. In this webinar, you'll learn how and why loglines in TV versus movies are so different. And what's really exciting is that you will keep making it better-loglines change as often as a genius painter changes the sketch lines of a painting that will become a masterpiece. It's the crucible in which your whole original idea is forged. throwing up all five will probably get you less of a response.A great logline is like meeting your true love on a first date-when you see it you know it! And spinning it into a first draft is like the first kiss after a great date. since there will be tons of people asking for logline advice, only ask for opinions on the loglines you truly care about. And if I haven’t gotten to your loglines yet, be patient. 
We’re going to have to do another post on what makes a good idea, but hopefully I can cover some of that this Thursday. I’ve seen some writers freak out about wording their loglines just right when the logline isn’t the problem. And in the rare case that the readers tell you I’m nuts and the idea is good, discount my opinion. If you’re freaking out about your low scores, share the loglines here and ask others what’s up.
#Logline for tv shows series#
Why? I’ll get more into that with Thursday’s article, but basically, many of these loglines are too ambitious (A man goes to 7 galaxies to procure DNA from seven different alien species to save his wife), too vague, too bland (A mobster kills his victim and must dispose of the body within 24 hours), don’t contain a movie-level hook (Two best friends join a dating service but then fall in love with each other), have zero irony, elements are too disconnected (A flower shop owner learns he’s going to die in six hours so he decides to run a marathon for the first time in his life), go on forever (way too many wordy loglines that go on and on and on – be quick and succinct), or a series of other things. The average score I’ve been giving the loglines I’ve received is a 4. Now a lot of you are probably freaking out. The last logline post got too big so instead of doing Amateur Offerings, I’m going to start a new one.
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